Monday, March 4, 2013

Noisy Poems for a Busy Day



Citation

Heidbreder, Robert, and Lori Smith Joy. Noisy Poems for a Busy Day. Toronto, ON: Kids Can Press, 2012. ISBN: 1554537061

Poetic Elements

This book of poetry would be considered free verse with end rhyme. The poet does follow a 4/3 or 4/4 syllable pattern in each of the poems with funny exclamations or words at the end. It is consistent in this way. You do find yourself reading each of the poems with a certain rhythm, like a child be-bopping through their day. There are a great deal of nonsense words that add to the excitement of these poems such as “...ziff zim zoom...” , “...ala-ka-zee! Ala-ka-zopper!...” and “...crissle-sissle...” There is frequent alliteration as well with “...swish-swash-swirr...” and phrases similar to this. One of the most appealing aspects to this book of poetry is that it feels like it's written in the language of children, using words that they might use in their everyday conversations. The imagery and motifs associated with childhood come through with every poem. One of my favorite things about this book is how, through the course of the day, the poems Off to Breakfast, Time for Lunch, and Dinner Time are the same at their core with an increasingly extended dialogue at the end, similar to real life as my children are often extending the dialogue by a whole lot!

Appeal and Overall Quality

This book will be immensely appealing to younger kids with its wording and all around silliness. I tested it on my seven year old son, and I can verify that he enjoyed taking turns reading through the entire book of poems, studying and noticing things in each of the illustrations, and commenting on the nonsense words that seemed perfectly suited to each individual poem. It follows the natural course of a child's day from jumping out of bed to playing to getting dirty to having an argument to the very end of the day. These are all events that a child can and will relate to, and here he writes about them in an easy and endearing manner. All of the moods and emotions that the characters in the poetry book experience will be easy to mimic and relate to for the reader enjoying the book.

While the table of contents at the beginning looks overwhelming, with a massive number of poems shown, the reality is that the poems themselves are short. They are generally spread out one poem per page, although five of the poems do garner a full two page spread. The pencil drawings are almost cartoonish in nature and are colored in a soft earthy color palette. It's enjoyable to the eyes and so much fun to read!

Spotlight Poem

Off to Breakfast

Scrunchy munch-up.
Sloppy slurp.
Swibble down.
Big belch – BURP!

What do you say?”
Excuse me!”

Follow-Up Activity

These poems use a lot of nonsense words and conversation. I would utilize this poem, and all of the other poems contained within the book, in a discussion with younger students as we talk about the natural course of our day. These would also be fun to act out with a friend. They are short enough to remember and put a lot of emotion into acting them out. Then we would work together to write a class poem about something, some event, from our day while trying to keep this same style.

Reviews

"... a warm portrait of suburban daily life ..." --Kirkus Reviews

"Heidbreder knows his audience and how to prompt a gush of giggles and tickles from young children ... This is a well-conceived and executed book ..." --School Library Journal

"... an accessible and entertaining collection for preschoolers." --Publishers Weekly


The Year Comes Round: Haiku through the Seasons



Citation

Farrar, Sid, and Ilse Plume. The Year Comes Round: Haiku through the Seasons. Chicago, IL: Albert Whitman &, 2012. ISBN: 0807581291

Poetic Elements

The poet makes ample use of many poetic techniques, which is admirable considering that he's working in the form of haiku and there are such rigid structural requirements for this type of poetry. He sprinkles alliteration throughout such phrases as “...snowmen stand very still...” and “...waiting patiently in the pumpkin patch...” His greatest tool seems to be his use of simile and personification. Hearing him describe how the “...thick, black clouds grumble...” and the “...robin asks earthworm back to her nest...” paints a vivid picture and evokes imagery for the reader. His comparisons are simple and elegant as in “...dandelions from the earth like countless little suns...” and “...like tiny fallen stars fireflies quietly blink...” The 5-7-5 syllable format gives the poetry a certain rhythm but there is certainly no room for rhyme within these haiku. Perhaps my two favorite images from this book of haiku poetry are “...apples loll...dreaming cider and hot pie...” and “...lawns call a truce with mowers...” It really is quite impressive that he was able to draw such images with so few words and so skillfully employ a multitude of poetic elements in his work.

Appeal and Overall Quality

This collection of haiku can easily be described as consistent in form. There are no labels or titles for any of the poems, signifying how any of the poems could really apply to more than one month. You could try to group them by months, seasons, etc. but the author does not intend for that to happen, I do not think. There are twelve poems, one signifying every month of the year and one final haiku describing how the earth spins and circles. This debut poet crafts extremely rich haiku that is coupled with beautiful watercolor illustrations by a Caldecott Honor winner.

Each haiku is spread across two pages with a predominant design of framed illustration on one page with the haiku and smaller illustration contained within a circle on the other page. Occasionally there is a full color, full page illustration that spreads to the corners. The end of the book contains a wealth of information on the history of haiku, the cycle of life and what defines a year, and information on each of the four seasons. The layout is interesting here in that the 12 poems are followed by the information which is followed by one final haiku about the earth. This symbolizes how the months, the seasons all come together to create the wonderful spinning “...tapestry of days, months, seasons—life.”

Spotlight Poem

Waiting patiently
in the pumpkin patch for his
face : Jack O'Lantern

Follow-Up Activity

This would be a great piece to use with a unit on months of the year, weather, or even life cycles. There are so many topics covered so succinctly in this book and in these haikus. I would have the kids choose their favorite haiku from the book and illustrate it or else write their own haiku about a favorite season or event of the year. We could then compile them into a class book of haiku.

Reviews

From School Library Journal
K-Gr 3-This quietly contemplative collection offers a look at the wonders of nature over the course of a year. Each spread gives a glimpse into a different scene-thunderstorms, apples falling from trees, fireflies at dusk, birds feeding their babies, and other animals in their natural habitats in the different seasons. There are 13 haiku in all-one for each month (although they are not labeled, allowing readers to infer when each one takes place)-and a final one describing the Earth circling the sun as "spinning a tapestry of days, months, and seasons," bringing awe-inspiring perspective to children just learning about how vast the universe really is. Plume's understated yet cheerful artwork brings the selections to life and exemplifies the power and beauty of nature. Farrar gives an explanation of haiku in the back of the book and also discusses characteristics of the seasons and the "cycle of life"-how a year is measured and how the equator divides the world and affects the way seasons are experienced, etc. This charming book is a wonderful supplement for units on weather, seasons, animals, or poetry in general.

All The Broken Pieces



Citation

Burg, Ann E. All the Broken Pieces. New York: Scholastic Press, 2009. ISBN: 0545080924


Poetic Elements

Full and flowing free verse, this novel is a gift for discussing voice and imagery. The ease with which the poet author introduces the various characters and the most troubling subjects of the story is enviable, and the imagery produced with stanzas that read “But he isn't an afraid quiet. Just a calm quiet, like he's looked into a closet of monsters and found empty candy wrappers instead.” is just beautiful. The title of All The Broken Pieces lends itself well to describing how Matt's life has been broken, as well as those around him, and how they work to put those pieces back together into something that makes sense. The spare use of language puts extra emphasis on the raw emotions of the characters and how the war has affected everyone in different ways because, as Matt says in the story, “Even the broken pieces are worth something to me.”

Appeal and Overall Quality

This is a stunning debut for Ann E. Burg. She chronicles the story of Matt, a young boy airlifted out of Vietnam and now adopted at age 10 into a loving American family. Alternating between guilt for surviving the ordeal, the pressure he puts on himself to somehow feel as if he deserves the love of his new family, and bullying at school, this young man faces tricky life situations that young adults will be able to relate to at some level. The shortened length and quick flow of the novel will lend itself to reluctant readers who do not feel that they can commit to a long relationship with a novel.

Spotlight Poem

The house I live in now
is big,
but its walls are thin.
At night, when they
think I am asleep,
I hear the news on TV.
I hear them talk.

It's no wonder
the soldiers are broken,
Dad says.
When they left, they were
high school heroes,
stars of the football team,
with pretty girlfriends.
Now look at them--
hobbling on crutches,
rolling themselves
in wheelchairs,
while people throw things--

tomatoes,
rotten apples,

angry words.

Follow-Up Activity

This would be an excellent and timely poem for a discussion with older children about what soldiers returning from war are faced with. There could be a study of the Vietnam War era, along with discussion of what soldiers returning from war today face. How would experiences compare or contrast between wars and situations?

Reviews

From School Library Journal
Grade 6–8—In 1977, 12-year-old Matt Pin lives a fractured life. He is the son of a Vietnamese woman and an American soldier and was airlifted to safety from the war zone. Adopted by a caring American couple, he has vivid and horrific memories of the war and worries about the fates of his mother and badly injured little brother. Matt's adoptive family adores him, and he is the star pitcher for his middle school baseball team, but there are those who see his face and blame him for the deaths of the young men they lost in the war. The fractured theme runs the course of this short novel in verse: Matt's family, the bodies and hearts of the Vietnam vets, the country that is "only a pocketful of broken pieces" that Matt carries inside him. Ultimately, everything broken is revealed as nonetheless valuable. While most of the selections read less like poems and more like simple prose, the story is a lovely, moving one. Use this in a history class or paired with Katherine Applegate's Home of the Brave (Feiwel & Friends, 2007).—Heather M. Campbell, formerly at Philip S. Miller Library, Castle Rock, CO
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Airlifted from Vietnam at the end of the war and adopted by a loving American family, Matt Pin, 12, is haunted by what he left behind, even as he bonds with his new little brother and becomes a star pitcher on the school baseball team. In rapid, simple free verse, the first-person narrative gradually reveals his secrets: his memories of mines, flames, screams, helicopters, bombs, and guns, as well as what the war did to his little brother (“He followed me / everywhere, / he follows me still”). But this stirring debut novel is about much more than therapy and survivor guilt. When his parents take Matt to a veterans’ meeting, he hears the soldiers’ stories of injury and rejection and begins to understand why the school bully calls him “frogface” (“My brother died / Because of you”). There is occasional contrivance as Matt eavesdrops on adults. But the haunting metaphors are never forced, and the intensity of the simple words, on the baseball field and in the war zone, will make readers want to rush to the end and then return to the beginning again to make connections between past and present, friends and enemies. Add this to the Booklist read-alike column “Children at War.” Grades 6-10. --Hazel Rochman